Production music refers to music which is owned by production music libraries.

Typically the music is composed specifically for use in Film, Radio, TV, multimedia and Business.

Since these libraries generally own all of the rights in the music they can licence it directly without the need to have to gain permission from writers or perhaps composers. It is able to thus be licensed immediately with a transparent cost to the end user.

The benefit of a production music library is that often it is able to cater to a broad range of musical styles as well as themes with a lot of libraries holding ten of thousands of tracks and cuts.

Production music gives producers and directors a platform from which to choose audio that is ideal for their brief or project. Libraries frequently have tracks relevant to current musical genres, styles, charts and culture. Many libraries are going to hold music across the entire spectrum of music history and include Classical, Jazz, Blues, Rock n Roll, Dance and Reggae – amongst a host of contemporary themes or collections created for business or media applications.

The convenience factor means that anybody who needs production library music is able to select from a big assortment of styles, access the audio from one place and learn exactly how much it’ll cost. Most libraries have Rate Cards so producers can budget for the costs of a project in advance.

Their is the peace of mind that many libraries will usually have a piece of music ideal for the project and if not will allow you to to find some. Many will also offer custom music production services.

History of Production Music

Typical music for production has been in existence since the days of silent cinema. In those days the audio was supplied in form that is written and also sent over to small bands and orchestras who would conduct the sound live in time with the film.

Since then a lot of production music companies have built up sound and audio libraries. These include Boozy & Hawkes, KPM, Sony BMG, EMI, Extreme Music, Sonoton, Cavendish, de Wolfe and Many others.

Traditionally, music libraries sent out their music collections on CD. These days it is a lot more likely to be used via the internet, file downloading, hard drive or perhaps CD’s, CD-Rom, DVD-Rom

Production Music Online

The Internet has enabled music for production to be distributed online via downloading. It has also presented a platform for corporations which are new and libraries to set up independently.

There are now a lot of production music libraries online. The fee and quality is able to vary enormously as can the actual license terms or perhaps use of the music. However production music downloads now seem to be the preferred method for many media professionals around the earth.

Royalty Free Music

Royalty free music varies more or less to the attributes of production music.

soundcloud to wav has often been licensed on a pay-per-use basis. That’s you pay for each and every use of the music – In case you want to utilize music on a television show then you license the rights for that. If you want to also use that music on an interactive CD Rom then you would be required to license those rights.

Royalty free music on the flip side offers customers a way of getting a CD of the music that can then be used as often times as you like without any further payments or even fees.

However other issues and the Internet has meant that lots of royalty free music libraries now operate similar to traditional production music libraries and vice versa.

This is probably due to the expansion of independent music libraries who can generate their own finance and license models according to their very own marketplace requirements.

Sync Fees and Dub Fees

A fee for the licensing of the music of theirs is charged by a Production music company. This’s typically referred to a’ Synchronization Fee’ or’ Dub Fee’. This’s among the main income streams for music libraries.

Performing Rights Organisations

Performing Rights Organisations (PRO’s) protect, administer and collect performance royalties on behalf of its member composers, artists and publishers.

Performance royalties are generated when music is broadcast on Radio or TV or played in places that are public like other business spaces and restaurants.

Music which is publicly performed or perhaps broadcast has to be licensed. For instance a broadcaster such as the BBC or SKY has to pay to broadcast music as do restaurants, shops and users of music on hold systems and others.

These licenses are issued by PRO’s to music users whenever music is broadcast to the public. The revenues from these licenses is then collected and split up between all of the members of that particular PRO.

Most countries have their very own PRO such as PRS (UK), ASCAP (USA), GEMA (Germany). Many countries have much more than one.

See the FULL LIST of Performing Rights Organisations

Music libraries are typically also music publishers. The musical works of theirs are published via a PRO and public performance or any broadcast of that music will accrue performance royalties.